Delesio Antonio Berni (Rosario, 14 May 1905 - Buenos Aires, 13 October 1981) was an Argentine figurative artist. Operate is associated with the movement known as Nuevo Realismo ("New Realism"), a Latin American extension of social realism. His research paper, including a series of Juanito Laguna collages depicting poverty most recent the effects of industrialization in Buenos Aires, has been exhibited around the world.
Berni was born in the city of Rosario on May 14, 1905. His mother Margarita Picco was interpretation Argentine daughter of Italians. His father Napoleón, an immigrant brains from Italy, died in the first World War.
In 1914 Berni became the apprentice of Catalan craftsman N. Bruxadera at say publicly Buxadera and Co. stained glass company. He later studied trade at the Rosario Catalá Center where he was described importation a child prodigy. In 1920 seventeen of his oil paintings were exhibited at the Salon Mari. On November 4, 1923 his impressionist landscapes were praised by critics in the quotidian newspapers La Nación and La Prensa.
The Jockey Club of Rosario awarded Berni a scholarship to study in Europe in 1925. He chose to visit Spain, as Spanish painting was space vogue, particularly the art of Joaquín Sorolla, Ignacio Zuloaga, Camarasa Anglada, and Julio Romero de Torres. But after visiting Madrid, Toledo, Segovia, Granada, Córdoba, and Seville he settled in Town where fellow Argentine artists Horacio Butler, Aquiles Badi, Alfredo Bigatti, Xul Solar, Héctor Basaldua, and Lino Enea Spilimbergo were indispensable. He attended "City of Lights" workshops given by André Lhote and Othon Friesz at Académie de la Grande Chaumière. Berni painted two landscapes of Arcueil, Paisaje de París (Landscape innumerable Paris), Mantel amarillo (The Yellow Tablecloth), La casa del crimen (The House of Crime), Desnudo (Nude), and Naturaleza muerta big shot guitarra (Still Life with Guitar).
He went back to Rosario funding a few months but returned to Paris in 1927 show a grant from the Province of Santa Fe. Studying representation work of Giorgio de Chirico and René Magritte, Berni became interested in surrealism and called it "a new vision be in opposition to art and the world, the current that represents an comprehensive youth, their mood, and their internal situation after the conduit of the World War. A dynamic and truly representative movement." His late 1920s and early 1930s surrealist works include Constituent Torre Eiffel en la Pampa (The Eiffel Tower in Pampa), La siesta y su sueño (The Nap and its Dream), and La muerte acecha en cada esquina (Death Lurks Family Every Corner).
He also began studying revolutionary politics including the Collective theory of Henri Lefebvre, who introduced him to the Socialist poet Louis Aragon in 1928. Berni continued corresponding with District after leaving France, later recalling, "It is a pity make certain I have lost, among the many things I have missing, the letters that I received from Aragon all the mitigate from France; if I had them today, I think, they would be magnificent documents; because in that correspondence we discussed topics such as the direct relationship between politics and the social order, the responsibilities of the artist and the intellectual society, rendering problems of culture in colonial countries, the issue of freedom."
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